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Gerald Ross
One of Gerald Ross’ early claims to fame was a commercial he made with a friend in high school for Kazoozie Kazoos that ran everyday for 2 months on the Captain Kangaroo Show. And while it may have been his talent on a kazoo that kick-started his musical career, Gerald also played bass in a rock band during high school, and electric guitar with a Western swing band and acoustic guitar with a bluegrass band while in college, finally graduating to ‘The Lost World String Band” playing guitar, bottleneck National guitar, and Cajun accordion, appearing several times on Garrison Keillor’s A Prairie Home Companion.
Today, however, Gerald Ross is known more for his work with the ukulele and Hawaiian lap steel guitar and has recorded five solo CD’s. In addition to being an extremely polished performer, Gerald is a prepared, organized, and thoughtful teacher, and such a nice guy! Whew!
He has performed in concert with Bonnie Raitt, Arlo Guthrie, Doc Watson, Johnny Gimble, Riders In The Sky, Earl Scruggs, Brownie McGhee and other nationally known artists. He was the winner of the 1993 WEMU Jazz Competition (solo artist). He’s been a featured performer at The New York Uke Fest, The Puget Sound Guitar Workshop, The Wine Country Uke Fest, The Lone Star Uke Fest, The Portland Ukefest, The Sevilla (Spain) Uke Fest, Augusta Heritage Swing Week, The Ashokan Western Swing Week and many other prominent Roots music festivals.
It’s no wonder Gerald Ross has been called an entire music camp and festival in one.
www.geraldross.com
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Manitoba Hal has a passion for the blues and the ukulele. He blends traditional sounds with looping effects to create a one-man-band performance that is unique. Traditional blues songs are arranged in fresh and inventive ways and his witty stage banter entertains even the most jaded audiences. People often wonder at the sound he creates with the little Hawaiian guitar.
Manitoba Hal is an aNueNue sponsored artist who regularly leads instructional workshops on the ukulele and has been featured at the New York Ukulele Festival, Ukulele Ceilidh, Great Canadian Ukulele Expo, the Ukulele Hall of Fame and in The Mighty Uke documentary.
He is one of a handful of authentic blues artists performing with the ukulele today.
Photo - Lisa D. Buchanan
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Melanie Doane
“There’s no place like home” sings Juno Award winning singer-songwriter Melanie Doane on “Ruby Slippers”, the opening track from her new album THE EMERALD CITY, out March 1 on iTunes internationally. While a Wizard of Oz theme is apparent, Melanie isn’t channeling her inner Dorothy on this fresh set of pop-rock gems. “The Emerald City is an image we all know,” says Doane. “It means different things to different people, but ultimately it's the only image I know of that embodies disenchantment and hope at the same time. It's the shattering of something you believe in, but somehow optimism remains. That’s where I’m coming from with these songs.”
THE EMERALD CITY follows 2008’s critically-acclaimed A THOUSAND NIGHTS, an album inspired by Melanie’s experiences with motherhood and featuring an assortment of original tunes and classic covers re-arranged as lullabies. That album generated prominent song placements in hit shows like CBC’s Being Erica and CBS’s Flashpoint, and celebrated Melanie’s softer side musically and lyrically. In contrast, THE EMERALD CITY feels like a return to form, recalling the edgier style of her breakthrough Gold-selling record ADAM’S RIB while tactfully showcasing Melanie’s multifaceted skills as a vocalist, songwriter, and multi-instrumentalist (she plays guitar, violin, piano, ukulele, mandolin, and bass). “I had more to say this time around, so it's nice to have a place to say it,” affirms Doane.
The “more” she’s referring to are the changes she’s faced over the past few years. Having embarked on a new side project as a music educator while continuing to tour and write songs, the recently separated mom is busier than ever and putting it all into her creative work. “My life has been changing considerably, and like all moms, it's a bit of a balancing act. Nevertheless, music still remains at the centre of everything I do and [I feel] this album showcases that. I'm grateful to continue to have my music as an outlet.”
Artfully produced by her drummer and brother Creighton Doane, THE EMERALD CITY is an emotional journey, chronicling love lost and an understanding of self gained. A witty songwriter who skillfully employs a “less is more” approach to her craft, Doane finds new and interesting ways to incorporate familiar images and phrases into her most personal work to date. The verses of “The Stupider I Am” recount the simple things we learn growing up (“Eat when you’re hungry/When you’re tired, close your eyes”), while its chorus cleverly asserts ownership of one’s missteps (“The more I know, the stupider I am”). “Disaster Waiting to Happen” finds Melanie comparing personal crisis with that of famous tragedies (“I’m the Titanic, just before the ice/I’m Romeo and Juliet/I’m a disaster waiting to happen/But I can’t see it yet”), while the album closer “Make God Laugh” is about relinquishing attempts to control fate and accepting the present as reality. (“My only sorrow/My only true regret/Living for tomorrow/One day I’ll never get”)
The product of a musical family, Halifax-born Doane has spent a large portion of the last fifteen years on the road supporting her numerous solo albums. While her debut album SHAKESPEAREAN FISH received critical praise and garnered a loyal following, the release of ADAM’S RIB in 1998 brought Melanie's music to a mainstream audience. With a running theme that is best described as a “delving dichotomy”, ADAM’S RIB brilliantly showcases Melanie’s flair as both an instrumentalist and songwriter, featuring punchy-relevant lyrics laced with strong musical wit. What followed the albums release is nothing short of extraordinary: multiple top 40 singles, a Juno Award for Best New Artist, a Canadian Radio Award for Most Charted Rock Artist, over 200 shows in Canada and the U.S. with the likes of Jann Arden, Sarah McLachlan's "Lilith Fair", and Great Big Sea, and a Gold record award.
Since ADAM’S RIB, Melanie has pursued her career independent of the label system. In 2001, she recorded and released the fan cherished MELVIN LIVE, an album showcasing her energetic and diverse live show. Her third studio album YOU ARE WHAT YOU LOVE followed in 2003, preceded by the lead single “Still Desire You”, which spanned multiple formats and eventually went Top 5. A THOUSAND NIGHTS followed in 2008, preceded by the albums lead single "Songbird" with Jim Cuddy which reached Top 5 on the iTunes Country singles chart. To date, Doane has written seven chart topping singles across various formats in Canada.
Between raising kids and making records, Melanie has managed to tour in support of each album, write songs for various artists, play as a side man on several albums, have her music featured on hit television shows like Brothers and Sisters, Being Erica, Flashpoint, and Buffy the Vampire Slayer, and travel across Canada and the U.S. (in 2007, 2008, and 2010) on the CPR Holiday train - playing 60 shows in less than a month while raising money for local food banks. She was also recently commissioned by Bobsleigh Canada Skeleton to write and record a song celebrating 20 years of Women’s Bobsleigh in Canada and was invited to perform the song (“Here on Top of the World”) at the F.I.B.T World Cup in November.
With the release of THE EMERALD CITY, Melanie will continue doing what she loves – making great music. “I'm in a better place creatively than I have been for a long time. I'm excited to be promoting this new album and I'm looking forward to writing and planning for the next one.”
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Cathy Fink and Marcy Marxer
TWO-TIME GRAMMY® Award Winners, Cathy Fink & Marcy Marxer are a formidable powerhouse of sound, with a repertoire of traditional and contemporary folk, old time country and swing music. Their superb harmonies are backed by instrumental virtuosity on the acoustic & electric guitar, five-string banjo, mandolin, cello banjo, ukulele, percussion and many other instruments. Top it off with a witty stage presence and warm audience rapport and you’ve got a well loved music duo.
They’ve earned two Grammy Awards, in 2004 and 2005 for “cELLAbration: a Tribute to Ella Jenkins” and for “Bon Appétit!”. In 2003, they were GRAMMY nominated for their CD, “POSTCARDS” in the Best Traditional Folk Album category. They received another GRAMMY® nomination in that category for “Banjo Talkin’” They produced and performed on Tom Paxton’s GRAMMY® nominated “Live in the UK” CD and tour. Tom says, “Cathy & Marcy are at home in a dozen musical styles. They swing you, jazz you, and old timey you till you just give up and bliss out.”
In 2006 the C. F. Martin Company honored Cathy & Marcy’s musical achievements by creating a signature guitar for each of them, the M3H Cathy Fink Custom Signature Edition and the MC3H Marcy Marxer Custom Signature Edition. National sales of the guitar have been impressive. In 2008, the Gold Tone Banjo Company released the Marcy Marxer model cello banjo, modeled after Marcy’s remarkable Gibson 1918 cello banjo.
What do Tom Paxton, Si Kahn, Riders in the Sky, Pete Seeger, Brave Combo, Mariachi Los Camperos, Mike Seeger, Patsy Montana, Pete Kennedy and Ysaye Barnwell all have in common? They have all worked with Cathy & Marcy in the studio. Their skills have led to producing over 60 recordings by and with other artists, and to projects with National Geographic, AT&T, McGraw-Hill School Publishing and numerous corporate clients who appreciate roots music values.
Cathy & Marcy have performed at hundreds of bluegrass and folk festivals, appeared on the “Weekend Today Show”, “CBS Early Show”, National Public Radio’s “Morning Edition” and “All Things Considered”. In their 25+ years performing together, the Washington Area Music Association has recognized Cathy & Marcy with 50 WAMMY Awards for folk, bluegrass and children’s music.
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Lil Rev
Lil Rev was born in 1968 in Milwaukee, WI where he currently resides. Rev graduated from John Marshall High School in 1987 and went on to receive his Bachelors Degree in Educational Policy & Community Development (Community Ed.) from the University of Wisconsin Milwaukee.
Rev grew up in a musical family with a Mom who loved to sing Broadway and grandparents who sang and played piano and harmonica. He purchased his first guitar at the age of 12 with his paper route money and set about learning chords and songs off of his favorite records. Guitar was followed by Harmonica, Mandolin, and later Banjo.
At about 25 years, he was given an old beat up Wendell Hall Banjo Ukulele and likewise, voraciously set about the task of learning how to master this humble little instrument so imbued with tradition and style.
While he is hopelessly Midwestern, his frequent travels find him teaching and touring all over the continental United States. His many unique niches include one man shows of Jewish Cultural History (Jews of Tin Pan Alley, Jews N Blues), Scraps of Quilting Music (A Celebration of Quilting Lore and History in American), Yiddish Song & Story, Harmonica Workshops for Kids and Adults, Ukulele Festivals and Workshops, Songwriter, Storyteller, Music History Lectures at Elderhostels, and much, much more!
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Chalmers Doane
Chalmers Doane began his musical journey in Truro, where he won the prize for Outstanding Performance of the Music Festival, in 1946.
His interest in teaching eventually led him to the NS Normal College where he came under the influence of the dynamic music educator, Catherine Allison. Further study ensued at Boston University, where he majored in trombone, under Koko Kahila, and minored in string methods, working closely with Dr. George Bornoff.
As director of music education for the city of Halifax, he created a comprehensive music program designed to produce students who were musically literate by the end of grade six. In addition, opportunities were created for every child to have an instrumental and choral experience in every school. The music department boasted dozens of choirs, wind and string groups, a class piano program, and the senior ensembles included a jazz band, symphony orchestra, pops orchestra, concert band, percussion ensemble and honour choir. In addition, there was a thriving adult education program with as many as a thousand students attending weekly classes. The use of the ukulele as an educational tool was one of the innovative aspects of the program that captured public attention, and which became the basis of a country-wide program.
The last ten years of Chalmers' career were spent as professor of music education at the NS Teachers College. In recent years, his influence on music education in Canada has been recognized by The Learning Partnership, an honorary doctorate from Saint Mary's University and membership in the Order of Canada. Now retired, he is still pursuing his lifelong joy: making music with his friends.
http://web.mac.com/creightondoane/Chalmers/Home.html
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James Hill
The `ukulele is hotter than ever, embraced worldwide by a crop of young musicians eager to push the instrument into uncharted territory. Leading the charge is Canada's James Hill. With the recent release of his third solo album, A Flying Leap, this "imaginative and versatile" 25-year-old virtuoso continues to "tear up the uke" (AcousticGuitar.net). Seven of the album's ten tracks are genre-bending originals ranging in style from the bluegrass-tinged 'Song for Cheri' to the jazzy 'Fleas My Dog Has' to the remarkable 'One Small Suite for `Ukulele,' an ambitious work in three movements written for `ukulele and string quartet.
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